Kyle Bruxvoort

things I've made

Fetch

A Revit plugin that puts manufacturer-accurate families one click away and keeps them synced to live product data.

  • Revit
  • C#
  • React
Open project

Revit MCP

Gives an AI agent the Revit Family Editor, so a product cut sheet becomes a family that flexes correctly.

  • MCP
  • Python
  • Revit API
Open project

Layout Studio

Space planning inside Revit. Import a room, lay out the seats, then place them in the model.

  • WebView2
  • TypeScript
  • Revit
Open project

Cipher

One record for SSG product data. Hundreds of manufacturers, one structure, read by Fetch and every tool after.

  • TypeScript
  • React
Open project

Fetch Analytics

Who uses Fetch, which families they download, and which searches come back with nothing.

  • Next.js
  • Docker
Open project

Fetchbim.com rebrand

Redesign of fetchbim.com. Identity, a component library, and the pages architects use to find Revit families.

  • Figma
  • React
  • Next.js
Open project

pySSG

pyRevit scripts that enforced our Revit content standard, later rebuilt in C# as the plugin the team uses now.

  • pyRevit
  • Python
  • C#
Open project

Content Creation Strategy

SSG's move to BIM. I wrote the content standard the library still runs on, covering naming, parameters and detail.

  • Revit
Open project

Japayuki

Cover and interior for a poetry collection, in print and ebook, where the layout has to hold the line breaks.

  • InDesign
  • Photoshop
Open project
KYLE BRUXVOORT
Director of Design Technology
RÉSUMÉ

Drag · throw · click to flip · 9 projects

2019Designer

Japayuki

InDesignPhotoshop

The problem. In poetry the whitespace is content. A poem that steps its lines down the page means something different once a reflowing ebook closes the gaps, so the print interior and the ebook are two answers to the same page.

What I built. Cover, interior and full formatting for both editions of "Japayuki: A Collection of Poems". The section openers carry a script display, set against a plain serif for the poems so nothing competes with the line breaks.

Designed in InDesign, with Photoshop for the cover imagery. It is the one project here that ends up as an object you can hold.

FIGURES
The title poem in InDesign, where the line breaks are the poem.
The contents, set in four sections.
The finished cover.